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  • ÃØÛìïÜ ²ÞàÔáÒÞàâ. ¸×ÑàÐÝÝÐï ÛØàØÚÐ

  • CONTENTS

  • ¿µ²µÆ ¾·µÀ½¾³¾ ºÀ°Ï

  • x x x

  • THE FEMALE VAGRANT

  • ÁÂÀ°½½¸Æ°

  • GOODY BLAKE AND HARRY GILL

  • ³Ã´¸ ±»µ¹º ¸ ³°ÀÀ¸ ´¶¸»»

  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT

  • Á¸Ÿ, ½°¿¸Á°½½Ëµ ½µ¿¾´°»µºÃ ¾Â ´¾¼° ¸ ¿µÀµ´°½½Ëµ ¼¾¸¼ ¼°»ÌǸº¾¼ ¾¹,

  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED

  • Á°¹¼¾½ »¸

  • ANECDOTE FOR FATHERS, SHEWING HOW THE ART OF LYING MAY BE TAUGHT

  • ¸Á¾À¸Ï ´½Ï ¾Âƾ², ¸»¸ º°º ¼¾¶½¾ ²¾Á¿¸Â°ÂÌ ¿À¸²ËǺà º¾ »¶¸

  • WE ARE SEVEN

  • ½°Á Áµ¼µÀ¾

  • LINES WRITTEN IN EARLY SPRING

  • ÁÂÀ¾º¸, ½°¿¸Á°½½Ëµ À°½½µÎ ²µÁ½¾¹

  • THE THORN

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • XI

  • XII

  • XIII

  • XIV

  • XV

  • XVI

  • XVII

  • XVIII

  • XIX

  • XX

  • XXI

  • XXII

  • ¿À½

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • XI

  • XII

  • XIII

  • XIV

  • XV

  • XVI

  • XVII

  • XVIII

  • XIX

  • XX

  • XXI

  • XXII

  • THE LAST OF THE FLOCK

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • ¿¾Á»µ´½¸¹ ¸· Á°´°

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • THE MAD MOTHER

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • ±µ·Ã¼½°Ï ¼°ÂÌ

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • THE IDIOT BOY

  • Á»°±¾Ã¼½Ë¹ ¼°»ÌǸº

  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING

  • Á¸Ÿ, ½°¿¸Á°½½Ëµ ²µÇµÀ¾¼ à µ¼·Ë ²±»¸·¸ À¸Ç¼¾½´°

  • EXPOSTULATION AND REPLY

  • òµÉµ²°½Ìµ ¸ ¾Â²µÂ

  • THE TABLES TURNED, AN EVENING SCENE ON THE SAME SUBJECT

  • ²Á¿ ½°¾±¾À¾Â

  • OLD MAN TRAVELLING

  • ÁÂÀ°½Á²ÃÎɸ¹ Á°À¸º

  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • ¶°»¾±° ¿¾º¸½Ã¾¹ ¸½´¸°½º¸

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS

  • ÁÂÀ¾º¸, ½°¿¸Á°½½Ëµ ½° À°ÁÁ¾Ͻ¸¸ ½µÁº¾»Ìº¸Å ¼¸»Ì ¾Â ¸½ÂµÀ½Áº¾³¾ °±±°ÂÁ²°

  • THERE WAS A BOY

  • ¼°»ÌǸº

  • LUCY

  • I

  • II

  • III

  • V

  • »ÎÁ¸

  • I

  • II

  • III

  • V

  • LUCY GRAY, OR SOLITUDE

  • »ÎÁ¸ ³Àµ¹

  • THE BROTHERS

  • ±À°ÂÌÏ

  • MICHAEL

  • ¼°¹º»

  • TO JOANNA

  • Áº°»° ´¶¾°½½Ë

  • SONG FOR THE WANDERING JEW

  • °³°ÁĵÀ

  • POEMS DEDICATED TO NATIONAL INDEPENDENCE AND LIBERTY

  • x x x

  • Á¸Ÿ, ¿¾Á²Ïɵ½½Ëµ ½°Æ¸¾½°»Ì½¾¹ ½µ·°²¸Á¸¼¾Á¸ ¸ Á²¾±¾´µ

  • x x x

  • CALAIS, AUGUST 15, 1802

  • x x x

  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC

  • ÂÃÁÁµ½Ã »Ã²µÀÂÎÀÃ

  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802

  • °½³»¸Ï, 1802

  • LONDON, 1802

  • »¾½´¾½, 1802

  • x x x

  • x x x

  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802

  • Á¾½µÂ, ½°¿¸Á°½½Ë¹ ½° ²µÁ¼¸½ÁµÀÁº¾¼ ¼¾ÁÂà 3 Áµ½ÂϱÀÏ 1802 ³¾´°

  • COMPOSED BY THE SEA-SIDE NEAR CALAIS, AUGUST 1802

  • ½°¿¸Á°½½¾µ ½° ¼¾ÀÁº¾¼ ¿¾±µÀµ¶Ìµ ±»¸· º°»µ, °²³ÃÁ 1802

  • x x x

  • x x x

  • x x x

  • x x x

  • PERSONAL TALK

  • x x x

  • ¶¸Âµ¹Áº¸µ µ¼Ë

  • x x x

  • x x x

  • x x x

  • TO SLEEP

  • Á¾½

  • TO SLEEP

  • x x x

  • x x x

  • x x x

  • TO A BUTTERFLY

  • º ¼¾Â˻̺Ã

  • x x x

  • x x x

  • x x x

  • x x x

  • WRITTEN IN MARCH

  • ½°¿¸Á°½½¾µ ² ¼°Àµ

  • TO A BUTTERFLY

  • x x x

  • THE GREEN LINNET

  • ·µ»µ½Ë¹ Àµ¿¾»¾²

  • THE SOLITARY REAPER

  • ¾´¸½¾º°Ï ¶½¸Æ°

  • TO THE CUCKOO

  • ºÃºÃȺ°

  • x x x

  • x x x

  • x x x

  • ½°ÀƸÁÁË

  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE

  • I

  • II

  • III

  • IV

  • V

  • VI

  • ·°¼¾º ±¸½½¾À¸

  • TO THE SPADE OF A FRIEND

  • »¾¿°Âµ ´Àó°

  • ELEGIAC STANZAS, SUGGESTED BY A PICTURE OF PEEL

  • Í»µ³¸ÇµÁº¸µ ÁÂÀ¾ÄË, ²½Ãȵ½½Ëµ º°À¸½¾¹ ÁÍÀ° ´¶¾À´¶°

  • A COMPLAINT

  • Á¾¶°»µ½¸µ

  • GIPSIES

  • Æ˳°½Ë

  • x x x

  • x x x

  • A NIGHT-PIECE

  • ½¾ÇÌ

  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING

  • ²»¸Ï½¸µ ¿À¸À¾´Ë ½° À°·²¸Â¸µ ²¾¾±À°¶µ½¸Ï ² ´µÂÁ²µ ¸ À°½½µ¹ ν¾Á¸

  • LAODAMIA

  • »°¾´°¼¸Ï

  • x x x

  • x x x

  • THE FRENCH AND THE SPANISH GUERILLAS

  • ÄÀ°½ÆÃ·Ë ¸ ¸Á¿°½Áº¸µ ¿°À¸·°½Ë

  • x x x

  • x x x

  • x x x

  • x x x

  • SEPTEMBER 1815

  • ±»¸·¾ÁÂÌ ¾Áµ½¸

  • x x x

  • x x x

  • x x x

  • x x x

  • THE RIVER DUDDON

  • x x x

  • Á¾½µÂË º Àµºµ ´°´´¾½

  • x x x

  • x x x

  • x x x

  • x x x

  • à ¸Á¾º°

  • THE PLAIN OF DONNERDALE

  • ´¾½½µÀ´µ»ÌÁº°Ï ´¾»¸½°

  • AFTER-THOUGHT

  • ¿À¾É°»Ì½Ë¹ Á¾½µÂ Àµºµ ´°´´¾½

  • Á¾½ ¿¸»¸³À¸¼°

  • SEPTEMBER 1819

  • Áµ½ÂϱÀÌ

  • ON SEEING A TUFT OF SNOWDROPS IN A STORM

  • x x x

  • SONG FOR THE SPINNING WHEEL

  • ¿µÁ½Ï ·° ¿ÀÏ»º¾¹

  • THE HAUNTED TREE

  • ¾º¾»´¾²°½½Ë¹ ´Ã±

  • MUTABILITY

  • ¸·¼µ½Ç¸²¾ÁÂÌ

  • ² º°¿µ»»µ º¾À¾»µ²Áº¾³¾ º¾»»µ´¶° ² ºµ¼±À¸´¶µ

  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • ¶°»¾±° ¼ÍÀ¸, º¾À¾»µ²Ë Ⱦ»°½´Æµ², ² º°½Ã½ ½¾²¾³¾ ³¾´°

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • TO --

  • x x x

  • TO A SKY-LARK

  • ¶°²¾À¾½ºÃ

  • x x x

  • x x x

  • ²¾´¾¿°´

  • THE TROSACHS

  • ÂÀ¾ÁÁµºÁ

  • x x x

  • ²µÇµÀ½¸µ ¸¼¿À¾²¸·°Æ¸¸

  • ³½µ·´¾ ¿µ½¾Çº¸

  • x x x

  • x x x

  • x x x

  • ²½ÃÂÀµ½½µµ ·Àµ½¸µ

  • x x x

  • x x x

  • COMPOSED ON A MAY MORNING, 1838

  • Á¾Ç¸½µ½¾ ¼°¹Áº¸¼ ÃÂÀ¾¼, 1838

  • THE SIMPLON PASS

  • Á¸¼¿»¾½Áº¸¹ ¿µÀµ²°»

  • x x x

  • x x x

  • ³°ÀÀ¸-³¸»»Ì

  • ½°Á Áµ¼µÀ¾

  • ½°Á Áµ¼µÀ¾

  • x x x

  • ¿µÁ½Ï ²µÇ½¾³¾ ¶¸´°

  • ¿°´µ½¸µ ²µ½µÆ¸°½Áº¾¹ ÀµÁ¿Ã±»¸º¸

  • º ¼¸»Ì¾½Ã

  • »¾½´¾½, 1802

  • »¾½´¾½, 1802. ¼¸»Ì¾½

  • x x x

  • x x x

  • x x x

  • ±µÁÁ¾½½¸Æ°

  • ¼¾Â˻̺Ã

  • º ºÃºÃȺµ

  • ºÃºÃȺ°

  • ¶µ»Â˵ ½°ÀƸÁÁË

  • x x x

  • x x x

  • ³»Ï´Ï ½° ¾ÁÂÀ¾²¾º ƲµÂÃɸŠ¿¾´Á½µ¶½¸º¾² ² ±ÃÀÎ

  • ´°»µº¾¼Ã ´ÀóÃ

  • ÁÂÀ¾º¸, ¾Á°²»µ½½Ëµ ½° º°¼½µ ² À°·²µÂ²»µ½¸¸ ¸Á¾²¾³¾ ´µÀµ²°, Á¾Ïɵ³¾ 

  • THE FEMALE VAGRANT 

  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT BY MY LITTLE BOY 

  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED 

  • ANECDOTE FOR FATHERS 

  • WE ARE SEVEN 

  • LINES WRITTEN IN EARLY SPRING 

  • THE THORN 

  • THE LAST OF THE FLOCK 

  • THE MAD MOTHER 

  • THE IDIOT BOY 

  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING 

  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN 

  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS 

  • THERE WAS A BOY 

  • "STRANGE FITS OF PASSION HAVE I KNOWN...", "SHE DWELT AMONG THE UNTRODDEN 

  • LUCY GRAY, OR SOLITUDE 

  • THE BROTHERS 

  • ¾ JOANNA 

  • SONG FOR THE WANDERING JEW 

  • "I GRIEVED FOR BUONAPARTE, WITH A VAIN..." 

  • "CALAIS, AUGUST 15, 1802" 

  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC 

  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802 

  • LONDON, 1802 

  • "NUNS FRET NOT AT THEIR CONVENTS NARROW ROOM..." 

  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802 

  • "IT IS A BEAUTEOUS EVENING, CALM AND FREE..." 

  • "I AM NOT ONE WHO MUCH OR OFT DELIGHT..." 

  • ""BELOVED VALE!, I SAID, "WHEN I SHALL CON..."" 

  • "WITH SHIPS THE SEA WAS SPRINKLED FAR AND NIGH..." 

  • ¾ A BUTTERFLY 

  • "MY HEART LEAPS UP WHEN I BEHOLD..." 

  • "AMONG ALL LOVELY THINGS MY LOVE HAD BEEN..." 

  • WRITTEN IN MARCH 

  • TO A BUTTERFLY 

  • THE GREEN LINNET 

  • THE SOLITARY REAPER 

  • TO THE CUCKOO 

  • "SHE WAS A PHANTOM OF DELIGHT..." 

  • "I WANDERED LONELY AS A CLOUD..." 

  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE 

  • ¾ THE SPADE OF A FRIEND. 

  • A COMPLAINT 

  • A NIGHT-PIECE ½¾ÇÌ 

  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING THE 

  • LAODAMIA 

  • THE FRENCH AND THE SPANISH GUERILLAS 

  • "WEAK IS THE WILL OF MAN, HIS JUDGEMENT BUND..." 

  • "SURPRISED BY JOY-IMPATIENT AS THE WIND..." 

  • SEPTEMBER 1815 

  • "HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR!.." 

  • "HOW SHALL I PAINT THEE..." 

  • AFTER-THOUGHT 

  • ON SEEING A TUFT OF SNOWDROPS IN A STORM 

  • SONG FOR THE SPINNING WHEEL 

  • THE HAUNTED TREE 

  • MUTABILITY 

  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR 

  • THE TROSACHS 

  • "CALM IS THE FRAGRANT AIR, AND LOTH TO LOSE..." 

  • "IF THIS GREAT WORLD OF JOY AND PAIN..." 

  • "MOST SWEET IT IS WITH UNUPLIFTED EYES..." 

  • "WHY ART THOU SILENT! IS THY LOVE A PLANT..." 

  • COMPOSED ON A MAY MORNING, 1838 

  • THE SIMPLON PASS 

  • "THOUGH THE BOLD WINGS OF POESY AFFECT..."
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    Last-modified: Wed, 09 Nov 2005 18:16:31 GMT

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