Who would have thought of Mr. Mottram doing so well? And so many of
his friends, too, that used to stay here? I said to Mr. Wilcox, who comes to
see me regular on the bus from Melstead twice a month, which is very good of
him and I appreciate it, I said: 'We were entertaining angels unawares,'
because Mr. Wilcox never liked Mr. Mottram's friends, which I never saw,,
but used to hear about from all of you, nor Julia didn't like them, but
they've done very well, haven't they?"
At last I asked her: "Have you heard from Julia?"
"From Cordelia, only last week, and they're together still as they have
been all the time, and Julia sent me love at the bottoni of the page.
They're both very well, though they couldn't say where, but Father Membling
said, reading between the lines, it was Palestine, which is where Bridey's
yeomanry is, so that's very nice for them all. Cordelia said they were
looking forward to coming home after the war, which I am sure we all are,
though whether I live to see it, is another story."
I stayed with her for half an hour, and left promising to return often.
When I reached the hall I found no sign of work and Hooper looking guilty.
"They had to go off to draw the bed-straw. I didn't know till Sergeant
Block told me. I don't know whether they're coming back."
"Don't know? What orders did you give?"
"Well, I told Sergeant Block to bring them back if he thought it was
worth while; I mean if there was time before dinner."
It was nearly twelve. "You've been hotted again, Hooper. That straw was
to be drawn any time before six to-night."
"Oh Lor; sorry Ryder. Sergeant Block -- "
"It's my own fault for going away. . . . Fall-in the same party
immediately after dinner, bring them back here and keep them here till the
job's done."
"Rightyoh. I say, did you say you knew this place before?"
"Yes, very well. It belongs to friends of mine," and as I said the
words they sounded as odd in my ears as Sebastian's had done, when, instead
of saying, "It is my home," he said, "It is where my family live."
"It doesn't seem to make any sense--one family in a place this size.
What's the use of it?"
"Well, I suppose Brigade are finding it useful."
"But that's not what it was built for, is it?"
"No," I said, "not what it was built for. Perhaps that's one of the
pleasures of building, like having a son, wondering how he'll grow up. I
don't know; I never built anything, and I forfeited the right to watch my
son grow up. I'm homeless, childless, middle-aged, loveless, Hooper." He
looked to see if I was being funny, decided that I was, and laughed. "Now go
back to camp, keep out of the C.O.'s way, if he's back from his recce, and
don't let on to anyone that we've made a nonsense of the morning."
"Okey, Ryder."
There was one part of the house I had not yet visited, and I went there
now. The chapel showed no ill-effects of its long neglect; the art-nouveau
paint was as fresh and bright as ever; the art-nouveau lamp burned once more
before the altar. I said a prayer, an ancient, newly learned form of words,
and left, turning towards the camp; and as I walked back, and the cookhouse
bugle sounded ahead of me, I thought: --
The builders did not know the uses to which their work would descend;
they made a new house with the stones of the old castle; year by year,
generation after generation, they enriched and extended it; year by year the
great harvest of timber in the park grew to ripeness; until, in sudden
frost, came the -age of Hooper; the place was desolate and the work all
brought to nothing; Quomodo sedet sola civitas. Vanity of vanities, all is
vanity.
And yet, I thought, stepping out more briskly towards the camp, where
the bugles after a pause had taken up the second call and were sounding
Pic-em-up, Pic-em-up, hot potatoes -- and yet that is not the last word; it
is not even an apt word; it is a dead word from ten years back.
Something quite remote from anything the builders intended has come out
of their work, and out of the fierce little human tragedy in which I played;
something none of us thought about at the time: a small red flame -- a
beaten-copper lamp of deplorable design, relit before the beaten-copper
doors of a tabernacle; the flame which the old knights saw from their tombs,
which they saw put out; that flame burns again for other soldiers, far from
home, farther, in heart, than Acre or Jerusalem. It could not have been lit
but for the builders and the tragedians, and there I found it this morning,
burning anew among the old stones.
I quickened my pace and reached the hut which served us for our
ante-room.
"You're looking unusually cheerful to-day," said the second-in-command.
chagford, February-June, 1944
THE END