ïÇÌÁ×ÌÅÎÉÅ ÆÁÊÌÁ ( /LYNX/INOOLD/WORDSWORD_W/wordsworth1_1.txt )



  • õÉÌØÑÍ ÷ÏÒÄÓ×ÏÒÔ. éÚÂÒÁÎÎÁÑ ÌÉÒÉËÁ

  • CONTENTS

  • ðå÷åã ïúåòîïçï ëòáñ

  • x x x

  • THE FEMALE VAGRANT

  • óôòáîîéãá

  • GOODY BLAKE AND HARRY GILL

  • çõäé âìåêë é çáòòé äöéìì

  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT

  • óôéèé, îáðéóáîîùå îåðïäáìåëõ ïô äïíá é ðåòåäáîîùå íïéí íáìøþéëïí ôïê,

  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED

  • óáêíïî ìé

  • ANECDOTE FOR FATHERS, SHEWING HOW THE ART OF LYING MAY BE TAUGHT

  • éóôïòéñ äîñ ïôãï÷, éìé ëáë íïöîï ÷ïóðéôáôø ðòé÷ùþëõ ëï ìöé

  • WE ARE SEVEN

  • îáó óåíåòï

  • LINES WRITTEN IN EARLY SPRING

  • óôòïëé, îáðéóáîîùå òáîîåà ÷åóîïê

  • THE THORN

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • XI

  • XII

  • XIII

  • XIV

  • XV

  • XVI

  • XVII

  • XVIII

  • XIX

  • XX

  • XXI

  • XXII

  • ôðòî

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • XI

  • XII

  • XIII

  • XIV

  • XV

  • XVI

  • XVII

  • XVIII

  • XIX

  • XX

  • XXI

  • XXII

  • THE LAST OF THE FLOCK

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • ðïóìåäîéê éú óôáäá

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • THE MAD MOTHER

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • âåúõíîáñ íáôø

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • THE IDIOT BOY

  • óìáâïõíîùê íáìøþéë

  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING

  • óôéèé, îáðéóáîîùå ÷åþåòïí õ ôåíúù ÷âìéúé òéþíïîäá

  • EXPOSTULATION AND REPLY

  • õ÷åýå÷áîøå é ïô÷åô

  • THE TABLES TURNED, AN EVENING SCENE ON THE SAME SUBJECT

  • ÷óð îáïâïòïô

  • OLD MAN TRAVELLING

  • óôòáîóô÷õàýéê óôáòéë

  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • öáìïâá ðïëéîõôïê éîäéáîëé

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS

  • óôòïëé, îáðéóáîîùå îá òáóóôïñîéé îåóëïìøëéè íéìø ïô ôéîôåòîóëïçï áââáôóô÷á

  • THERE WAS A BOY

  • íáìøþéë

  • LUCY

  • I

  • II

  • III

  • V

  • ìàóé

  • I

  • II

  • III

  • V

  • LUCY GRAY, OR SOLITUDE

  • ìàóé çòåê

  • THE BROTHERS

  • âòáôøñ

  • MICHAEL

  • íáêëì

  • TO JOANNA

  • óëáìá äöïáîîù

  • SONG FOR THE WANDERING JEW

  • áçáóæåò

  • POEMS DEDICATED TO NATIONAL INDEPENDENCE AND LIBERTY

  • x x x

  • óôéèé, ðïó÷ñýåîîùå îáãéïîáìøîïê îåúá÷éóéíïóôé é ó÷ïâïäå

  • x x x

  • CALAIS, AUGUST 15, 1802

  • x x x

  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC

  • ôõóóåîõ ìõ÷åòôàòõ

  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802

  • áîçìéñ, 1802

  • LONDON, 1802

  • ìïîäïî, 1802

  • x x x

  • x x x

  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802

  • óïîåô, îáðéóáîîùê îá ÷åóôíéîóôåòóëïí íïóôõ 3 óåîôñâòñ 1802 çïäá

  • COMPOSED BY THE SEA-SIDE NEAR CALAIS, AUGUST 1802

  • îáðéóáîîïå îá íïòóëïí ðïâåòåöøå âìéú ëáìå, á÷çõóô 1802

  • x x x

  • x x x

  • x x x

  • x x x

  • PERSONAL TALK

  • x x x

  • öéôåêóëéå ôåíù

  • x x x

  • x x x

  • x x x

  • TO SLEEP

  • óïî

  • TO SLEEP

  • x x x

  • x x x

  • x x x

  • TO A BUTTERFLY

  • ë íïôùìøëõ

  • x x x

  • x x x

  • x x x

  • x x x

  • WRITTEN IN MARCH

  • îáðéóáîîïå ÷ íáòôå

  • TO A BUTTERFLY

  • x x x

  • THE GREEN LINNET

  • úåìåîùê òåðïìï÷

  • THE SOLITARY REAPER

  • ïäéîïëáñ öîéãá

  • TO THE CUCKOO

  • ëõëõûëá

  • x x x

  • x x x

  • x x x

  • îáòãéóóù

  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE

  • I

  • II

  • III

  • IV

  • V

  • VI

  • úáíïë âéîîïòé

  • TO THE SPADE OF A FRIEND

  • ìïðáôå äòõçá

  • ELEGIAC STANZAS, SUGGESTED BY A PICTURE OF PEEL

  • üìåçéþåóëéå óôòïæù, ÷îõûåîîùå ëáòôéîïê óüòá äöïòäöá

  • A COMPLAINT

  • óïöáìåîéå

  • GIPSIES

  • ãùçáîù

  • x x x

  • x x x

  • A NIGHT-PIECE

  • îïþø

  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING

  • ÷ìéñîéå ðòéòïäù îá òáú÷éôéå ÷ïïâòáöåîéñ ÷ äåôóô÷å é òáîîåê àîïóôé

  • LAODAMIA

  • ìáïäáíéñ

  • x x x

  • x x x

  • THE FRENCH AND THE SPANISH GUERILLAS

  • æòáîãõúù é éóðáîóëéå ðáòôéúáîù

  • x x x

  • x x x

  • x x x

  • x x x

  • SEPTEMBER 1815

  • âìéúïóôø ïóåîé

  • x x x

  • x x x

  • x x x

  • x x x

  • THE RIVER DUDDON

  • x x x

  • óïîåôù ë òåëå äáääïî

  • x x x

  • x x x

  • x x x

  • x x x

  • õ éóôïëá

  • THE PLAIN OF DONNERDALE

  • äïîîåòäåìøóëáñ äïìéîá

  • AFTER-THOUGHT

  • ðòïýáìøîùê óïîåô òåëå äáääïî

  • óïî ðéìéçòéíá

  • SEPTEMBER 1819

  • óåîôñâòø

  • ON SEEING A TUFT OF SNOWDROPS IN A STORM

  • x x x

  • SONG FOR THE SPINNING WHEEL

  • ðåóîñ úá ðòñìëïê

  • THE HAUNTED TREE

  • ïëïìäï÷áîîùê äõâ

  • MUTABILITY

  • éúíåîþé÷ïóôø

  • ÷ ëáðåììå ëïòïìå÷óëïçï ëïììåäöá ÷ ëåíâòéäöå

  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • öáìïâá íüòé, ëïòïìå÷ù ûïôìáîäãå÷, ÷ ëáîõî îï÷ïçï çïäá

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • TO --

  • x x x

  • TO A SKY-LARK

  • öá÷ïòïîëõ

  • x x x

  • x x x

  • ÷ïäïðáä

  • THE TROSACHS

  • ôòïóóåëó

  • x x x

  • ÷åþåòîéå éíðòï÷éúáãéé

  • çîåúäï ðåîïþëé

  • x x x

  • x x x

  • x x x

  • ÷îõôòåîîåå úòåîéå

  • x x x

  • x x x

  • COMPOSED ON A MAY MORNING, 1838

  • óïþéîåîï íáêóëéí õôòïí, 1838

  • THE SIMPLON PASS

  • óéíðìïîóëéê ðåòå÷áì

  • x x x

  • x x x

  • çáòòé-çéììø

  • îáó óåíåòï

  • îáó óåíåòï

  • x x x

  • ðåóîñ ÷åþîïçï öéäá

  • ðáäåîéå ÷åîåãéáîóëïê òåóðõâìéëé

  • ë íéìøôïîõ

  • ìïîäïî, 1802

  • ìïîäïî, 1802. íéìøôïî

  • x x x

  • x x x

  • x x x

  • âåóóïîîéãá

  • íïôùìøëõ

  • ë ëõëõûëå

  • ëõëõûëá

  • öåìôùå îáòãéóóù

  • x x x

  • x x x

  • çìñäñ îá ïóôòï÷ïë ã÷åôõýéè ðïäóîåöîéëï÷ ÷ âõòà

  • äáìåëïíõ äòõçõ

  • óôòïëé, ïóôá÷ìåîîùå îá ëáíîå ÷ òáú÷åô÷ìåîéé ôéóï÷ïçï äåòå÷á, óôïñýåçï 

  • THE FEMALE VAGRANT 

  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT BY MY LITTLE BOY 

  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED 

  • ANECDOTE FOR FATHERS 

  • WE ARE SEVEN 

  • LINES WRITTEN IN EARLY SPRING 

  • THE THORN 

  • THE LAST OF THE FLOCK 

  • THE MAD MOTHER 

  • THE IDIOT BOY 

  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING 

  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN 

  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS 

  • THERE WAS A BOY 

  • "STRANGE FITS OF PASSION HAVE I KNOWN...", "SHE DWELT AMONG THE UNTRODDEN 

  • LUCY GRAY, OR SOLITUDE 

  • THE BROTHERS 

  • ôï JOANNA 

  • SONG FOR THE WANDERING JEW 

  • "I GRIEVED FOR BUONAPARTE, WITH A VAIN..." 

  • "CALAIS, AUGUST 15, 1802" 

  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC 

  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802 

  • LONDON, 1802 

  • "NUNS FRET NOT AT THEIR CONVENTS NARROW ROOM..." 

  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802 

  • "IT IS A BEAUTEOUS EVENING, CALM AND FREE..." 

  • "I AM NOT ONE WHO MUCH OR OFT DELIGHT..." 

  • ""BELOVED VALE!, I SAID, "WHEN I SHALL CON..."" 

  • "WITH SHIPS THE SEA WAS SPRINKLED FAR AND NIGH..." 

  • ôï A BUTTERFLY 

  • "MY HEART LEAPS UP WHEN I BEHOLD..." 

  • "AMONG ALL LOVELY THINGS MY LOVE HAD BEEN..." 

  • WRITTEN IN MARCH 

  • TO A BUTTERFLY 

  • THE GREEN LINNET 

  • THE SOLITARY REAPER 

  • TO THE CUCKOO 

  • "SHE WAS A PHANTOM OF DELIGHT..." 

  • "I WANDERED LONELY AS A CLOUD..." 

  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE 

  • ôï THE SPADE OF A FRIEND. 

  • A COMPLAINT 

  • A NIGHT-PIECE îïþø 

  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING THE 

  • LAODAMIA 

  • THE FRENCH AND THE SPANISH GUERILLAS 

  • "WEAK IS THE WILL OF MAN, HIS JUDGEMENT BUND..." 

  • "SURPRISED BY JOY-IMPATIENT AS THE WIND..." 

  • SEPTEMBER 1815 

  • "HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR!.." 

  • "HOW SHALL I PAINT THEE..." 

  • AFTER-THOUGHT 

  • ON SEEING A TUFT OF SNOWDROPS IN A STORM 

  • SONG FOR THE SPINNING WHEEL 

  • THE HAUNTED TREE 

  • MUTABILITY 

  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR 

  • THE TROSACHS 

  • "CALM IS THE FRAGRANT AIR, AND LOTH TO LOSE..." 

  • "IF THIS GREAT WORLD OF JOY AND PAIN..." 

  • "MOST SWEET IT IS WITH UNUPLIFTED EYES..." 

  • "WHY ART THOU SILENT! IS THY LOVE A PLANT..." 

  • COMPOSED ON A MAY MORNING, 1838 

  • THE SIMPLON PASS 

  • "THOUGH THE BOLD WINGS OF POESY AFFECT..."
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    Last-modified: Wed, 09 Nov 2005 18:16:31 GMT

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