Îãëàâëåíèå ôàéëà ( /LYNX/INOOLD/WORDSWORD_W/wordsworth1_1.txt )


  • Óèëüÿì Âîðäñâîðò. Èçáðàííàÿ ëèðèêà
  • CONTENTS
  • ÏÅÂÅÖ ÎÇÅÐÍÎÃÎ ÊÐÀß
  • x x x
  • THE FEMALE VAGRANT
  • ÑÒÐÀÍÍÈÖÀ
  • GOODY BLAKE AND HARRY GILL
  • ÃÓÄÈ ÁËÅÉÊ È ÃÀÐÐÈ ÄÆÈËË
  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT
  • ÑÒÈÕÈ, ÍÀÏÈÑÀÍÍÛÅ ÍÅÏÎÄÀËÅÊÓ ÎÒ ÄÎÌÀ È ÏÅÐÅÄÀÍÍÛÅ ÌÎÈÌ ÌÀËÜ×ÈÊÎÌ ÒÎÉ,
  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED
  • ÑÀÉÌÎÍ ËÈ
  • ANECDOTE FOR FATHERS, SHEWING HOW THE ART OF LYING MAY BE TAUGHT
  • ÈÑÒÎÐÈß ÄÍß ÎÒÖÎÂ, ÈËÈ ÊÀÊ ÌÎÆÍÎ ÂÎÑÏÈÒÀÒÜ ÏÐÈÂÛ×ÊÓ ÊÎ ËÆÈ
  • WE ARE SEVEN
  • ÍÀÑ ÑÅÌÅÐÎ
  • LINES WRITTEN IN EARLY SPRING
  • ÑÒÐÎÊÈ, ÍÀÏÈÑÀÍÍÛÅ ÐÀÍÍÅÞ ÂÅÑÍÎÉ
  • THE THORN
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • XI
  • XII
  • XIII
  • XIV
  • XV
  • XVI
  • XVII
  • XVIII
  • XIX
  • XX
  • XXI
  • XXII
  • ÒÏÐÍ
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • XI
  • XII
  • XIII
  • XIV
  • XV
  • XVI
  • XVII
  • XVIII
  • XIX
  • XX
  • XXI
  • XXII
  • THE LAST OF THE FLOCK
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • ÏÎÑËÅÄÍÈÉ ÈÇ ÑÒÀÄÀ
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • THE MAD MOTHER
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • ÁÅÇÓÌÍÀß ÌÀÒÜ
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • THE IDIOT BOY
  • ÑËÀÁÎÓÌÍÛÉ ÌÀËÜ×ÈÊ
  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING
  • ÑÒÈÕÈ, ÍÀÏÈÑÀÍÍÛÅ ÂÅ×ÅÐÎÌ Ó ÒÅÌÇÛ ÂÁËÈÇÈ ÐÈ×ÌÎÍÄÀ
  • EXPOSTULATION AND REPLY
  • ÓÂÅÙÅÂÀÍÜÅ È ÎÒÂÅÒ
  • THE TABLES TURNED, AN EVENING SCENE ON THE SAME SUBJECT
  • ÂÑÏ ÍÀÎÁÎÐÎÒ
  • OLD MAN TRAVELLING
  • ÑÒÐÀÍÑÒÂÓÞÙÈÉ ÑÒÀÐÈÊ
  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • ÆÀËÎÁÀ ÏÎÊÈÍÓÒÎÉ ÈÍÄÈÀÍÊÈ
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS
  • ÑÒÐÎÊÈ, ÍÀÏÈÑÀÍÍÛÅ ÍÀ ÐÀÑÑÒÎßÍÈÈ ÍÅÑÊÎËÜÊÈÕ ÌÈËÜ ÎÒ ÒÈÍÒÅÐÍÑÊÎÃÎ ÀÁÁÀÒÑÒÂÀ
  • THERE WAS A BOY
  • ÌÀËÜ×ÈÊ
  • LUCY
  • I
  • II
  • III
  • V
  • ËÞÑÈ
  • I
  • II
  • III
  • V
  • LUCY GRAY, OR SOLITUDE
  • ËÞÑÈ ÃÐÅÉ
  • THE BROTHERS
  • ÁÐÀÒÜß
  • MICHAEL
  • ÌÀÉÊË
  • TO JOANNA
  • ÑÊÀËÀ ÄÆÎÀÍÍÛ
  • SONG FOR THE WANDERING JEW
  • ÀÃÀÑÔÅÐ
  • POEMS DEDICATED TO NATIONAL INDEPENDENCE AND LIBERTY
  • x x x
  • ÑÒÈÕÈ, ÏÎÑÂßÙÅÍÍÛÅ ÍÀÖÈÎÍÀËÜÍÎÉ ÍÅÇÀÂÈÑÈÌÎÑÒÈ È ÑÂÎÁÎÄÅ
  • x x x
  • CALAIS, AUGUST 15, 1802
  • x x x
  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC
  • ÒÓÑÑÅÍÓ ËÓÂÅÐÒÞÐÓ
  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802
  • ÀÍÃËÈß, 1802
  • LONDON, 1802
  • ËÎÍÄÎÍ, 1802
  • x x x
  • x x x
  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802
  • ÑÎÍÅÒ, ÍÀÏÈÑÀÍÍÛÉ ÍÀ ÂÅÑÒÌÈÍÑÒÅÐÑÊÎÌ ÌÎÑÒÓ 3 ÑÅÍÒßÁÐß 1802 ÃÎÄÀ
  • COMPOSED BY THE SEA-SIDE NEAR CALAIS, AUGUST 1802
  • ÍÀÏÈÑÀÍÍÎÅ ÍÀ ÌÎÐÑÊÎÌ ÏÎÁÅÐÅÆÜÅ ÁËÈÇ ÊÀËÅ, ÀÂÃÓÑÒ 1802
  • x x x
  • x x x
  • x x x
  • x x x
  • PERSONAL TALK
  • x x x
  • ÆÈÒÅÉÑÊÈÅ ÒÅÌÛ
  • x x x
  • x x x
  • x x x
  • TO SLEEP
  • ÑÎÍ
  • TO SLEEP
  • x x x
  • x x x
  • x x x
  • TO A BUTTERFLY
  • Ê ÌÎÒÛËÜÊÓ
  • x x x
  • x x x
  • x x x
  • x x x
  • WRITTEN IN MARCH
  • ÍÀÏÈÑÀÍÍÎÅ Â ÌÀÐÒÅ
  • TO A BUTTERFLY
  • x x x
  • THE GREEN LINNET
  • ÇÅËÅÍÛÉ ÐÅÏÎËÎÂ
  • THE SOLITARY REAPER
  • ÎÄÈÍÎÊÀß ÆÍÈÖÀ
  • TO THE CUCKOO
  • ÊÓÊÓØÊÀ
  • x x x
  • x x x
  • x x x
  • ÍÀÐÖÈÑÑÛ
  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE
  • I
  • II
  • III
  • IV
  • V
  • VI
  • ÇÀÌÎÊ ÁÈÍÍÎÐÈ
  • TO THE SPADE OF A FRIEND
  • ËÎÏÀÒÅ ÄÐÓÃÀ
  • ELEGIAC STANZAS, SUGGESTED BY A PICTURE OF PEEL
  • ÝËÅÃÈ×ÅÑÊÈÅ ÑÒÐÎÔÛ, ÂÍÓØÅÍÍÛÅ ÊÀÐÒÈÍÎÉ ÑÝÐÀ ÄÆÎÐÄÆÀ
  • A COMPLAINT
  • ÑÎÆÀËÅÍÈÅ
  • GIPSIES
  • ÖÛÃÀÍÛ
  • x x x
  • x x x
  • A NIGHT-PIECE
  • ÍÎ×Ü
  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING
  • ÂËÈßÍÈÅ ÏÐÈÐÎÄÛ ÍÀ ÐÀÇÂÈÒÈÅ ÂÎÎÁÐÀÆÅÍÈß Â ÄÅÒÑÒÂÅ È ÐÀÍÍÅÉ ÞÍÎÑÒÈ
  • LAODAMIA
  • ËÀÎÄÀÌÈß
  • x x x
  • x x x
  • THE FRENCH AND THE SPANISH GUERILLAS
  • ÔÐÀÍÖÓÇÛ È ÈÑÏÀÍÑÊÈÅ ÏÀÐÒÈÇÀÍÛ
  • x x x
  • x x x
  • x x x
  • x x x
  • SEPTEMBER 1815
  • ÁËÈÇÎÑÒÜ ÎÑÅÍÈ
  • x x x
  • x x x
  • x x x
  • x x x
  • THE RIVER DUDDON
  • x x x
  • ÑÎÍÅÒÛ Ê ÐÅÊÅ ÄÀÄÄÎÍ
  • x x x
  • x x x
  • x x x
  • x x x
  • Ó ÈÑÒÎÊÀ
  • THE PLAIN OF DONNERDALE
  • ÄÎÍÍÅÐÄÅËÜÑÊÀß ÄÎËÈÍÀ
  • AFTER-THOUGHT
  • ÏÐÎÙÀËÜÍÛÉ ÑÎÍÅÒ ÐÅÊÅ ÄÀÄÄÎÍ
  • ÑÎÍ ÏÈËÈÃÐÈÌÀ
  • SEPTEMBER 1819
  • ÑÅÍÒßÁÐÜ
  • ON SEEING A TUFT OF SNOWDROPS IN A STORM
  • x x x
  • SONG FOR THE SPINNING WHEEL
  • ÏÅÑÍß ÇÀ ÏÐßËÊÎÉ
  • THE HAUNTED TREE
  • ÎÊÎËÄÎÂÀÍÍÛÉ ÄÓÁ
  • MUTABILITY
  • ÈÇÌÅÍ×ÈÂÎÑÒÜ
  • Â ÊÀÏÅËËÅ ÊÎÐÎËÅÂÑÊÎÃÎ ÊÎËËÅÄÆÀ Â ÊÅÌÁÐÈÄÆÅ
  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • ÆÀËÎÁÀ ÌÝÐÈ, ÊÎÐÎËÅÂÛ ØÎÒËÀÍÄÖÅÂ, Â ÊÀÍÓÍ ÍÎÂÎÃÎ ÃÎÄÀ
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • TO --
  • x x x
  • TO A SKY-LARK
  • ÆÀÂÎÐÎÍÊÓ
  • x x x
  • x x x
  • ÂÎÄÎÏÀÄ
  • THE TROSACHS
  • ÒÐÎÑÑÅÊÑ
  • x x x
  • ÂÅ×ÅÐÍÈÅ ÈÌÏÐÎÂÈÇÀÖÈÈ
  • ÃÍÅÇÄÎ ÏÅÍÎ×ÊÈ
  • x x x
  • x x x
  • x x x
  • ÂÍÓÒÐÅÍÍÅÅ ÇÐÅÍÈÅ
  • x x x
  • x x x
  • COMPOSED ON A MAY MORNING, 1838
  • ÑÎ×ÈÍÅÍÎ ÌÀÉÑÊÈÌ ÓÒÐÎÌ, 1838
  • THE SIMPLON PASS
  • ÑÈÌÏËÎÍÑÊÈÉ ÏÅÐÅÂÀË
  • x x x
  • x x x
  • ÃÀÐÐÈ-ÃÈËËÜ
  • ÍÀÑ ÑÅÌÅÐÎ
  • ÍÀÑ ÑÅÌÅÐÎ
  • x x x
  • ÏÅÑÍß ÂÅ×ÍÎÃÎ ÆÈÄÀ
  • ÏÀÄÅÍÈÅ ÂÅÍÅÖÈÀÍÑÊÎÉ ÐÅÑÏÓÁËÈÊÈ
  • Ê ÌÈËÜÒÎÍÓ
  • ËÎÍÄÎÍ, 1802
  • ËÎÍÄÎÍ, 1802. ÌÈËÜÒÎÍ
  • x x x
  • x x x
  • x x x
  • ÁÅÑÑÎÍÍÈÖÀ
  • ÌÎÒÛËÜÊÓ
  • Ê ÊÓÊÓØÊÅ
  • ÊÓÊÓØÊÀ
  • ÆÅËÒÛÅ ÍÀÐÖÈÑÑÛ
  • x x x
  • x x x
  • ÃËßÄß ÍÀ ÎÑÒÐÎÂÎÊ ÖÂÅÒÓÙÈÕ ÏÎÄÑÍÅÆÍÈÊΠ ÁÓÐÞ
  • ÄÀËÅÊÎÌÓ ÄÐÓÃÓ
  • ÑÒÐÎÊÈ, ÎÑÒÀÂËÅÍÍÛÅ ÍÀ ÊÀÌÍÅ Â ÐÀÇÂÅÒÂËÅÍÈÈ ÒÈÑÎÂÎÃÎ ÄÅÐÅÂÀ, ÑÒÎßÙÅÃÎ
  • THE FEMALE VAGRANT
  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT BY MY LITTLE BOY
  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED
  • ANECDOTE FOR FATHERS
  • WE ARE SEVEN
  • LINES WRITTEN IN EARLY SPRING
  • THE THORN
  • THE LAST OF THE FLOCK
  • THE MAD MOTHER
  • THE IDIOT BOY
  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING
  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN
  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS
  • THERE WAS A BOY
  • "STRANGE FITS OF PASSION HAVE I KNOWN...", "SHE DWELT AMONG THE UNTRODDEN
  • LUCY GRAY, OR SOLITUDE
  • THE BROTHERS
  • ÒÎ JOANNA
  • SONG FOR THE WANDERING JEW
  • "I GRIEVED FOR BUONAPARTE, WITH A VAIN..."
  • "CALAIS, AUGUST 15, 1802"
  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC
  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802
  • LONDON, 1802
  • "NUNS FRET NOT AT THEIR CONVENTS NARROW ROOM..."
  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802
  • "IT IS A BEAUTEOUS EVENING, CALM AND FREE..."
  • "I AM NOT ONE WHO MUCH OR OFT DELIGHT..."
  • ""BELOVED VALE!, I SAID, "WHEN I SHALL CON...""
  • "WITH SHIPS THE SEA WAS SPRINKLED FAR AND NIGH..."
  • ÒÎ A BUTTERFLY
  • "MY HEART LEAPS UP WHEN I BEHOLD..."
  • "AMONG ALL LOVELY THINGS MY LOVE HAD BEEN..."
  • WRITTEN IN MARCH
  • TO A BUTTERFLY
  • THE GREEN LINNET
  • THE SOLITARY REAPER
  • TO THE CUCKOO
  • "SHE WAS A PHANTOM OF DELIGHT..."
  • "I WANDERED LONELY AS A CLOUD..."
  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE
  • ÒÎ THE SPADE OF A FRIEND.
  • A COMPLAINT
  • A NIGHT-PIECE ÍÎ×Ü
  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING THE
  • LAODAMIA
  • THE FRENCH AND THE SPANISH GUERILLAS
  • "WEAK IS THE WILL OF MAN, HIS JUDGEMENT BUND..."
  • "SURPRISED BY JOY-IMPATIENT AS THE WIND..."
  • SEPTEMBER 1815
  • "HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR!.."
  • "HOW SHALL I PAINT THEE..."
  • AFTER-THOUGHT
  • ON SEEING A TUFT OF SNOWDROPS IN A STORM
  • SONG FOR THE SPINNING WHEEL
  • THE HAUNTED TREE
  • MUTABILITY
  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR
  • THE TROSACHS
  • "CALM IS THE FRAGRANT AIR, AND LOTH TO LOSE..."
  • "IF THIS GREAT WORLD OF JOY AND PAIN..."
  • "MOST SWEET IT IS WITH UNUPLIFTED EYES..."
  • "WHY ART THOU SILENT! IS THY LOVE A PLANT..."
  • COMPOSED ON A MAY MORNING, 1838
  • THE SIMPLON PASS
  • "THOUGH THE BOLD WINGS OF POESY AFFECT..."

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    Last-modified: Wed, 09 Nov 2005 18:16:31 GMT

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